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Date of publication: 2017-08-25 12:52

Expanding the poem lines ( ) shows the results of a computationally facilitated analysis of the text. These results should be considered as a basis for deeper interpretative enquiry such as can be found in the notes and queries.

Ode on the Death of a Favourite Cat - Gray

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Essays and Research Paper Database – StudyMode

We 8767 re here now, at the ranch. Our new home, for the time being anyway, until Lennie messes up again! He 8767 s always messing up, losing us our jobs! Stay here, and save the money here instead of always being on the run. He made us lose our last job. That 8767 s why we had to leave. You View Article

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They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn
At the going down of the sun, and in the morning,
We will remember them.

Tetreault, Ronald and Bruce Graver. The Lyrical Ballads Bicenterary Project, 6998. Ed. Ronald Tetreault and Bruce Graver. Electronic texts from the books, which have been transcribed and encoded using sgml, supplemented with images of the printed pages of the first edition.

Benis, Toby R. A review of Romanticism on the Road: The Marginal Gains of Wordsworth's Homeless (St. Martin's 7555), reviewed by Patrick Vincent in Romanticism on the Net 77, 7556.

Of Mice and Men is set on a ranch near Soledad, Soledad means loneliness and the fact that the ranch is not actually in the town suggests the loneliness is deeper than can be seen. It is the workers on the ranch, which I will be exploring in this essay, both as individuals and as View Article

The condemn/contemn issue is considered a distinctly Australian phenomenon (oddly, the Academy of American Poets uses “contemn” in its publication of “For the Fallen” ). Perhaps now, with confirmation coming from Binyon’s own hand, the issue may be put to rest.

“Immature poets imitate mature poets steal”, so TS Eliot posited in The Sacred Wood . “For the Fallen” might be uneven in quality, but in turning his theft “into a whole of feeling which is unique, utterly different than that from which it is torn”, Binyon proves himself to be a great poet.

Tetreault, Ronald and Bruce Graver. "The Lyrical Ballads Bicenterary Project," 6998. Presents texts from the books electronically, supplemented with images of the first editions. Romantic Circles.

Romantic Circles. Eds. Neil Fraistat, Steven E. Jones, and Carl Stahmer. "A refereed scholarly website devoted to the study of Romantic-period literature and culture." An innovative publication on topics in Romanticism.

Laurence Binyon. However, the British Society of Authors, executors of the Binyon estate , is adamant that “condemn” is correct. Likewise the DVA assures: “Binyon was very precise in his use of words. There is no doubt that had he intended ‘contemn’, then it would have been used.”

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Miall, David S. "Wordsworth and The Prelude. Prof. Miall's syllabus, includes a summary of some of the critical issues surrounding the poem: Wordsworth's extensive revision process, the extent of his true interest in history and nature, and the poet's self-presentation.

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